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Review: This Town Needs Guns – Animals

Animals

This Town Needs Guns are an Oxford based outfit formed by Stuart Smith and Tim Collis in 2004. Several band members and a few moderately successful E.P.s later they are still touring the world over and in 2008 released their debut full album, Animals. This album brings you 13 (well 12½) tracks of their unashamedly experimental math rock. Not always an easy genre to listen to but interesting none the less. The album’s tracks are all named after different animals but this has very little bearing on the content of the lyrics. While they were writing the album they named all their tracks after animals as temporary placeholders with every intention of giving them real names before release but in the end they just did not bother. Anyway on to the album itself…

One of the first things you notice about this album is that the band appears to have mislaid their distortion pedals. This leaves the music very stripped back – you might even say pure – which is astonishing when you realise how much is actually going on with the guitars and the huge amount of notes that they cram into each track. The meandering guitar parts dance around the fretboards throughout the whole album, which is fine until it begins to feel that you have been just listening to one long track rather than 13 different ones.  The only let up in this never ending barrage is the final track, Zebra, which replaces the now tiresome guitar with what sounds like a Glockenspiel and some discordant strings. The string parts feel like they have been carried on from the previous track, Rabbit, as the guitar fades away towards the end of this track and leaves the strings alone – it has a definite reminiscence of Damien Rice. This is by no means a bad thing but is all unfortunately too little to late to rescue the album from becoming awfully samey.

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Playlists Reviews

Feature: Tomorrow’s Sounds Today

Hi everyone, and welcome to another addition of Tomorrow”™s Sounds Today where we at Spotisfaction Incorporated fire up the kettle and brew a hot steaming mug of the best music picked from the recent additions to the “What’s new” section on Spotify. This week I’ve come up with the provisional tagline “October 2010: So you can teach an old dog new tricks!” as it seems to be a significant number of the big releases this week are new works from artists of the past which in some cases we had feared were gone for good.

Robert Plant ”“ Band Of Joy – Earlier in the year we reviewed “Angel Dance”, a new single from Robert Plant, and it was well received. Fast forward a few months and we now have Band Of Joy which is thankfully as good as the single which preceded it. It”™s been some time since we”™ve seen some work from Plant, the last piece being a duet with Alison Krauss back in 2008. I am pleased to say this album ticks all the expected boxes and doesn”™t disappoint. It is clearly a solo effort but it does have that unmistakable Zeppelin flavour running throughout a number of tracks, and it manages to not sound like a weak, watered down solo Zepp or some sort of strange pastiche. Kudos.

Manic Street Preachers ”“ Postcards From A Young ManA welcome return for Blackwood”™s favourite sons, and something strange seems to have happened… the Manics seem to be happy?  I”™m not saying every album of theirs is a wrist-slitting emo depress-fest, but there is an unmistakable positive energy to this work compared to some of the previous angst-writhen or politically charged pieces. It is not surprising, then, that in some of the music press both Mr. Wire and Bradfield have said they are shooting for this album to be more radio focused in order to gain airplay. With some heavyweight guests in the form of John Cale, Duff McKagan, and both Ian McCulloch and Tim Roth on the cover, the pieces are in the right place and the album doesn”™t disappoint.

Neil Young ”“ Le Noise – At a scant 8 tracks long I”™m not sure if this should be classified as an album or an EP.  With that in mind the tracks are a good length so overall there is meat on the bones. Whilst at its core the music is classic Young, the title of the piece is not just lip service – there is a definite “noise” element to the production without breaching into genres that his vocals are perhaps not suited to. At times the split between low tuned, distortion heavy, almost grungy guitar acts as a little too much of a difference to the high, soulful but almost reedy vocals, but thankfully this never ultimately detracts from the music.

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Playlists

Girls, Girls, Girls

Morning all. I’m only in the office for Monday and Tuesday this week before I head out to London for a spot of schmoozing with industry-types (read: going to visit Spotisfaction editor James TAE for his birthday, bless’im), so this week will be a bit manic. If any of you fine folks are in London this week, though, let me know on Twitter and we’ll go for a drink or something.

Today’s playlist is by staff-member Simon Mogg and is entitled “Girls, Girls, Girls”. Hope you enjoy as much as I am currently.

Cheers,
Dave

Moggy Says:

I do not like Female Vocallists. I cant really explain why, I think it could be the genral lack of gravellyness (clearly not a word). At least thats what I thought until I started making a list of the songs with female vocals that I do like. Turns out there’s quite a few.

I love this Justice track. Best one on the album in my opinion. In the Bodyrox track I like the way Luciana’s voice kind of cracks at the end of some of the songs lines. When I was VP of my university Rock Music Society we booked Zombina and the Skeletones to support [spunge] at our alternative May Ball. I’ve liked them ever since. Live performance is particularly good. Look forward to seeing them again in November. Yeah Yeah Yeahs = Awesome. Need I say more.

I liked No Doubt as a spotty teenager (partly because of a big crush on Gwen Stefani). Then they went away from their Ska style and I lost interest. Having said that, going back to Tragic Kingdom is always a pleasure. The Shangri-Las were my mothers teenage angst put to music so she used to play them a lot. Thats why they feature here. This song sticks in your mind like you wouldnt believe.

I really like the Noisettes at the moment. Wild Young Hearts has a particularly nice retro feel to it and the track I’ve picked is my favourite. I first heard the Tori Amos track in an episode of The West Wing and thought it was beautifully haunting. Finally, Skin’s vocal in all Skunk Anansie songs has such passion and power that I can’t help but be impressed.

Well, enjoy my selection of girls. Any other recommendations of quality female vocal would be greatly appreciated. Put them in the comments box below.

Ta, MOGGY.

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Features

Feature: Gig Rig

Howdy folks, and happy binary Friday (for those of you who are geeky enough to know what that means)! Another fortnight has passed, which means that it’s time for the lowdown on the best live music coming to a stage near(ish) you.

Giants of the dance world, Faithless, will be hitting some of the larger venues around the country in December, after returning with their sixth album, The Dance, earlier this year.

A couple of smaller bands that have been doing the rounds lately in the blogosphere are Sleigh Bells and Warpaint, and you can catch them both at some of the smaller gig venues in Bristol and London later this month and in November.

Hit the link to see the full gig listing…

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Playlists

119 Spotisfaction Friday – 1st October 2010 – Dave Christensen

Happy Friday, kids. Another week, another inbox full of cracking submissions from you lovely people. If you’ve recently started reading/listening to Spotisfaction and you’d like to get involved, send us your playlists, reviews, articles, news and anything else you find interesting. We’re always looking for the odd one-off piece, and we’re also looking for a couple of regular staff members, too. Let us know if you’re interested.

Today’s playlist is by Dave Christensen and is entitled “Accent”. I really enjoyed the blurb today, and I’m finding it quite fun Googling interviews with some of these singers to see just what they sound like in real life. Thanks hugely for the submission!

Take care, folks.
Dave

Dave Says:

http://www.telegraph.co.uk/science/science-news/7922639/Rock-n-roll-best-sung-in-American-accents.html

I”™m a scientist and I hate it when science is reported badly or when bad science is reported. This article from the Daily Telegraph really irritated me because it was obviously rubbish. The word “science” isn”™t actually used in the article and the researcher doesn”™t claim to be a scientist, but it is written by their science correspondent and is found in the science section on the website. So it is reporting the work as science, which, I feel, is unfairly associating those researchers doing useful things with their time with people like Andy Gibson. If you can”™t be bothered to read the article (and it”™s only short so you should), it”™s suggesting that it”™s more natural to sing pop or rock songs with an American accent and that it”™s actually difficult to sing in your own accent. Of course it is possible to put on accents when singing, like the “Mockney” of Lily Allen or my own imitation of whoever I”™m singing along with, but where the spoken voice of a singer has a similar sound to the singing voice, surely this would suggest a natural accent? Obviously not, so here are a load of fakers with accents as bad as Dick van Dyke”™s.