[Editor’s note: This feature was written by guest contributor, Alexander Forselius, and refers to his own work – whilst we agree with what he’s saying, you should always take a review written by the creator with a pinch of salt! ;)]
In early 1990, composer Elizabeth Faw Haydn Pizer recorded a song,Â Aquasphere; an impressionistic ambient soundscape. Not unlike the well known ambient artist Biosphere, her compositions took advantage of some of the sounds the average artist wouldn’t deal with, such as metallic effects and abstract sounds that share an implicit meaning of something abstract instead of explicit vocal hooks. The expressionalism of the recordings brought an abstract message to the audience, not so clear as the vocals, but by the emotions raised by the theme of the sounds. The atmosphere in the songs can give us strange emotions of love, fear, anxiety or peace. This ‘audiologic artwork’ can also be understood by a wider audience and isn’t language-specific, since the interpretation of the theme lies with sound schemes that all people understand by their emotions regardless of their native tongue.